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Edgar Degas
Young woman with field glasses
mk206
1866
Essence on pink paper
28x22cm
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Edgar Degas
Portrait of a Dancer at her Lesson
mk206
about 1879
Black chalk and pastel on three pieces of wove paper joined together
64.5x56.2cm
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Edgar Degas
Woman at her toilette
mk206
1895-1900
Pastel on paper
53x69cm
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Edgar Degas
A Lake in the Pyreness
mk206
about 1890-3
Monotype in oils on paper
29.8x29.6cm
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Edgar Degas
Young girl with a wihte scarf
mk206
1871-2
Oil on canvas
40x32cm
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Edgar Degas
Woman at her toilette
mk206
about
1894
Charcoal and pastel on paper
95.5x110cm
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Edgar Degas
Head of a Woman
mk206
about 1874
Oil on canvas
32.1x26.7cm
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Edgar Degas
Portrait of Edmond Duranty
mk206
1879
Tempera ,watercolour and pastel on linen
100x100cm
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Edgar Degas
Dancers
mk206
about 1879
Gouache,oil pastel and essence on silk
30.5x59.7cm
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Edgar Degas
Promenade beside the sea
mk206
about 1860
Londeon,National Gallery
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Edgar Degas
Two figures on the horseback
mk206
1860
ink and white gouache
25.4x19.2cm
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Edgar Degas
On the Racecourse
mk206
1860-2
detail
oil on canvas
43x65.5cm
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Edgar Degas
Princess Pauline de Metternich
mk206
about 1865
London,National Gallery
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Edgar Degas
Young Spartans Exercising
mk206
about 1860
London,National Gallery
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Edgar Degas
Young spartans
mk206
about 1860
Oil on canvas
97.4x140cm
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Edgar Degas
Young Spartan Girl
mk206
about 1860
Pencil and black crayon on tracing paper
28x36cm
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Edgar Degas
Study for the youth with Arms Upraised
mk206
about 1860
Pencil on paper
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Edgar Degas
Study for the youth with Arms upraised
mk206
about 1860
Pencil and black chalk on paper
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Edgar Degas
Classical Figures
mk206
about 1860
Sanguine crayon on tracing paper
Lawrence,Kansas,Spencer Museum of Art
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Edgar Degas
Study of Boy in Attitude of Defence
mk206
about 1860
pencil and black chalk on paper
21.3x34.3cm
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| Edgar Degas
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French Realist/Impressionist Painter and Sculptor, 1834-1917
French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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